In this second edition of Get the Callback: The Art of Auditioning for Musical Theatre, Jonathan Flom provides practical advice on the many facets of preparation, including selection of songs and monologues to suit your voice and the audition, organizing and arranging your music, working with the accompanist, and presenting yourself to the casting team.
“The play [or musical] is the director’s baby…. The director must decide whom she trusts to “hold the baby.” Are you trustworthy and reliable? Will you help foster the child’s development and ensure success? When you walk in the door, you must communicate to the production team that you are not only talented enough for the role but you are also tenacious, enthusiastic, professional, and above all authentic.”
How do you feel when you walk in the audition room? Do you feel like the director is for you or against you?