Page 2 of Crowd Pleasers - Song Selection and Tips for Piano Bars (Or Elsewhere)
Continued from page one of Crowd Pleasers
Songs for Showing Off Your Great Voice
There are certain songs, though, that seem to show off certain voices and ranges better than others. If you have the range for it, "Bring Him Home" gets an audience every time. (If you're familiar with the edition of "Forbidden Broadway" that skewered "Les Miz," you appreciate the satirical lyric that says, "This song's too high!" That's because to sing it right you have to have a good high tenor range. But if that's what you've got, then that's a winner in the bag.)
The same with some of Andrew Lloyd Webber's best known and loved songs: You have to have a pretty good range to deliver the likes of "Memory," and it would be a mistake to sing it in public if you don't have those high notes.
Of course, not all piano bar players are able to instantly transpose in order to cater to your particular range, but if you're lucky enough to latch onto a piano bar player who is willing to work with you in terms of finding what your best key is for any given song, do try to remember it. It will stand you in good stead for the rest of your singing life.
Notes for Baritones and Mezzos/Altos
Baritones and mezzos/altos have a slight disadvantage, because most songs are published in a standard tenor/soprano range or key. I myself am a baritone. That's how I got to be so good at transposing: when called upon to sight-read a song for myself to sing, I automatically have to transpose it down at least one whole step, often as far as a major third down, sometimes even more. And that's a good rule of thumb to remember: if you know your range is lower than the standard tenor/soprano, you can expect that a piano bar player will have to transpose a song's key down somewhere between a whole step and a major third down to accommodate you to best advantage. Of course, when a baritone or alto appears at my elbow, being of the lower register myself, there is a comfort zone built right in. Likewise, if you're a tenor or soprano and the person at the piano is in that range, there's more of a chance he (or she) will know your song in your key.
Some Words of Caution
Some words of caution: Every piano bar is different. A number of songs I mention are, in a phrase, done to death. Unless you know you can deliver such a song in some terribly unique way or just plain better than most, you might want to go with one a little less over-done. Similarly, some bars' patrons love to sing along, especially to the more popular songs, and don't take kindly to anyone who thinks they're good enough to sing them as a solo. If you're new to a piano bar, it's best to first get a feel as to some of the ground rules of any particular place. Regulars can be very testy when it comes to "newbies," so step lightly until you get a sense of the prevailing atmosphere.
Also: Please, when it's your first time approaching a piano bar player and you ask if it's okay to sing a song, when the piano player asks you what you'd like to sing, do not, under any circumstance say, "I don't know. What songs do you know?" Believe me, anyone holding forth at the piano is going to know lots more songs than you; that's their job. It's going to be much easier for you to mention songs you know and have the piano player say yes or no, than for the piano player to start going through every song in their repertoire trying to find one you'd care to sing. Determine beforehand a number of songs that you can suggest.
More Tips
I cannot stress enough how important it is to find a player who is accommodating enough to play the song you wish to sing in your key. A mere whole step too high (or too low) can make all the difference in landing that "money note" or totally blowing it. When determining what your optimum key is in any given song, you have to determine what that money note is, and it is usually the highest note in the song, and at the climax. You should sing the song that allows you to deliver that note at your greatest comfort level. It will often be a note that you can nail on good days but will kill you on bad days. That should be avoided, if you can. Or else choose to not do that song when you know your top notes are a bit shaky. However, choosing a key in which you can almost always count on hitting that big note at your best is what you should strive for with every song you do.
Just as important as knowing your key and how to land the big finish is understanding what you're singing. Unfortunately, all too often you get singers whose voices are certainly pleasant enough, but it's painfully clear that they have no understanding of the words and feeling behind the song. If you don't "get" what you're singing, then do not sing it. It's not how well you sing a song but how well you "sell" the song, and you can never sell a song without understanding it. When you can both sing a song well and sell it, that's when you really connect with your audience.
Above all, enjoy what you're doing. If you're nervous in front of a crowd, singing at a piano bar on a regular basis is the surest way I know to get over such shyness. If you enjoy what you sing, it is not only infectious, but it outweighs all other aspects of your delivery. You can forget or mangle lyrics, you can crack on your money note, you may not even be an outstanding singer; but if you enjoy what you're singing and can convey that sense of enjoyment, the people will be with you. Guaranteed.
Now go forth and slay that audience!
BACK TO PAGE ONE OF Crowd Pleasers
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